Velocity Vision Vision Pro User Manual Page 65
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CHAPTER 7: The Console Windows
Vision & Studio Vision Pro - What’s New in 4.5 56
쐇 Instrument Selector
Use this pop-up menu to select the
Instrument that’s controlled by this
channel. Faders can control either
MIDI Instruments, Audio Instru-
ments, Buses, Inputs, or Outputs.
쐋 Volume Fader
By default, this fader controls volume
(MIDI control #7), but you can reas-
sign it to any MIDI control number as
discussed in Show Selected Fader Info
(pg. 60) or Show All Fader Info
(pg. 62).
The active fader always appears
highlighted.
TIP: You don’t have to drag faders to
change them—simply click where
you want the fader to be and it jumps
to the new value immediately.
NOTE: If the fader is assigned to an
Audio Instrument, it can only control
the audio’s volume.
NOTE: If the Fader Slots in Instru-
ment Color option is checked in the
Settings Window, the fader slots are
displayed in the color of the assigned
Send Instrument.
쐏 Volume Thumb
Click and drag the Volume Thumbs
to adjust the fader value. Each thumb
is color-coded as follows:
MIDI channels are teal.
Audio channels are blue.
Busses are pink.
Inputs are purple.
Outputs are red.
TDM SampleCell inputs are orange.
NOTE: The Bus, Input, and Output
colors are only applicable to Acadia
users or Studio Vision Pro users with
TDM-compatible hardware. Sample-
Cell colors are only available to Studio
Vision Pro users with SampleCell
TDM. ReWire channels are available
only to Acadia users with ReWire com-
patible soft synths. For more
information, see your Audio Reference
Manual.
Click here...
...and the fader
jumps to that value.
- What’s New in Vision 4.5 1
- ACKNOWLEDGMENTS 2
- TABLE OF CONTENTS 3
- CHAPTER 3: ReWire 23 4
- Table of Contents 5
- Opcode Manual Template v 5
- CHAPTER 9: The List Window 85 7
- Opcode Manual Template ix 9
- CHAPTER 1: Introduction 10
- New Information 11
- CHAPTER 2: Automation 12
- VIEWING AND INSERTING 14
- AUTOMATION EVENTS 14
- 7 Opcode Systems, Inc 16
- Notes about Audio Volume 18
- Figure 1.17: The old way 20
- Figure 1.18: The new way 20
- COPY FADERS AND AUDIO 21
- CHANNELS 21
- 13 Opcode Systems, Inc 22
- Example 3: EQ Enabled 23
- Example 4: A Plug-In 23
- TYPES OF AUTOMATION 24
- Automation 25
- 17 Opcode Systems, Inc 26
- EQ Band Parameters 27
- Plug-In Parameters 28
- 21 Opcode Systems, Inc 30
- CHAPTER 3: ReWire 32
- CONFIGURING YOUR SYSTEM 33
- FOR REWIRE 33
- EXAMPLE 1: USING VISION 34
- WITH REBIRTH 34
- Launching Vision and ReBirth 35
- Quitting Vision and ReBirth 35
- EXAMPLE 2: USING VISION 36
- WITH RETRO AS-1 36
- Setting Retro AS-1’s Audio 37
- 29 Opcode Systems, Inc 38
- Active in Background 39
- VIEWING THE FILE PATH 40
- PLAYING AUDIO FILES 40
- FILE MANAGEMENT MENU 41
- file selected 42
- Copy to Folder 44
- 37 Opcode Systems, Inc 46
- Move to Folder 47
- 39 Opcode Systems, Inc 48
- Find File 49
- SLICE AUDIO 50
- AUTO-SEPARATING WITH SLICE 50
- STRIP SILENCE VS. SLICE 52
- STRIP SILENCE DIALOG BOX 52
- Silence Threshold 52
- Minimum Duration 53
- Attack Time 54
- Release Time 55
- ATTACK TIME EXAMPLE 55
- USE ZERO CROSSINGS 56
- MAXIMUM FADER POSITION 57
- LOCK EVENT SMPTE TIMES 57
- REMOVAL OF SOUND 58
- MANAGER AND YAMAHA CBX 58
- Graphic Window 58
- Notation Window 58
- VERTICAL DRAGGING 60
- TRACKS WINDOW 60
- Cursor Display 60
- REARRANGING PLUG-INS BY 60
- Release the mouse 61
- The plug-ins are rearranged 61
- Features and Functions 62
- ABOUT CONSOLES 63
- OPENING A CONSOLE WINDOW 63
- BASIC CONSOLE WINDOW 64
- The Basic Console Channel 64
- 쐇 Instrument Selector 65
- 쐋 Volume Fader 65
- 쐏 Volume Thumb 65
- CREATING A CONSOLE 67
- “SNAPSHOT” 67
- THE CONSOLE WINDOW MENU 67
- Channel Width 67
- Audio Sends 68
- Plug-Ins 69
- Show Selected Fader Info 69
- Show All Fader Info 71
- Show Remote Devices 72
- Show Masking Tape 73
- Fader Remotes Enabled 74
- Master Instrument 74
- Console Name 75
- Build Console From 75
- Clear Console 77
- Save Console Layout 77
- Save Console Layout As 78
- Load Console Layout 78
- FADER GROUPING 79
- Selecting Multiple Faders 79
- Moving Faders as a Group 80
- REARRANGING CONSOLE 83
- Dragging Strips Horizontally 83
- Dragging Plug-Ins Vertically 84
- CHAPTER 8: The Faders Window 86
- Tempo Fader Range 88
- Send/Receive Settings Display 88
- Copying Fader Settings 90
- CHANGES IN THE WAY VISION 90
- HANDLES FADERS 90
- Removal of “fader events” 90
- Visual and Audible Effect 91
- Notes About Audio Volume and 92
- Changes in Copy Faders 92
- OPTS MENU 95
- INSERTING EVENTS 96
- 89 Opcode Systems, Inc 98
- PART 6: Windows 100
- 91 Opcode Systems, Inc 100
- CHAPTER 9: The List Window 101
- 93 Opcode Systems, Inc 102
- Meter Track List Windows 103
- Tempo Track List Windows 104
- LIST WINDOW MENU 104
- EDITING EVENTS IN THE LIST 106
- Event Times and Moving Events 107
- CHAPTER 10: The Strip Chart 108
- Opening the Strip Chart 109
- 101 Opcode Systems, Inc 110
- The Edit Shapes Pop-up 113
- 105 Opcode Systems, Inc 114
- NON-CONTINUOUS EVENTS IN 115
- THE STRIP CHART 115
- USING THE STRIP CHART 116
- Velocity and Release Velocity 116
- Duration 116
- B may be added to or 117
- Text-type submenu 118
- MIDI submenu 119
- 111 Opcode Systems, Inc 120
- Automation submenu 121
- EQ Band Parameter submenu 122
- Plug-in Parameter submenu 123
- Using the Density Setting 123
- MULTIPLE TRACKS AND 124
- CHANNELS IN THE STRIP 124
- RESIZING AND ZOOMING THE 125
- STRIP CHART 125
- Resizing the Strip Chart 125
- 117 Opcode Systems, Inc 126
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